This portrait shows Rainer Werner Fassbinder both as an actor - taking the leading role in the film KAMIKAZE 1989, also directed by Wolf Gremm, - and as a director working on QUERELEL, his adaption of the work by Jean Genet.

The story unfolds with the logic of a dream. The external course the plot takes is unreal. However, it reflects the hopes, fears and desires of the characters in very concrete terms.

“Where to? – No reply.” The pairing of a question screamed into an empty room and the depressed reply flung back at herself describes most clearly the condition of the central figure in this piece.

The electronic versions of the old one-armed bandits are the MONARCH's aim in the appropriate bars, and his only source of income. With a trick only he knows he is able to “crack open” almost every machine in certain spotted out bars.

In spring 1978 the metal industry for the first time was confronted with skills problems. Together with his crew director Thomas Mitscherlich watched the industrial dispute in Reutlingen for six weeks.

All of them want to go they want to break out, to make the great escape, adults as well as youngsters, and Schocker and Richy as well.

The criminal investigation department and cartel officers appear in the main office of a raw-material factory for synthetic material.

The exhibition of a medium-sized art club seems to be endangered. Even more in danger are the arty club members, the petty bourgeois art-jet-set.

His report card in school reads: "Willi Klein is a dreamer. In serious danger of failing High School”.

Anna and Edith are colleagues working for an insurance firm. Their boss is bragging with the achievements of the two women without giving them credit for their good work. Anna’s husband would prefer for Anna to stay home.

THE MOODIES consist of five girls and one young man from England.