The three Prosorov sisters and their brother grew up in Moscow but settled in a provincial town when their father, the general, who died a year ago, was transferred there.
Summer, 1984. 50,000 people gather in front of the Reichstag in Berlin, to marvel at the vast firework show entitled "The World and the Counter-World or Tumbling through Dreams" presented by André Heller, the total-artist from Vienna.
"Congratulations to Peter Stein! He has managed to transfer his superb production of OTHELLO with the Welsh National Opera to the small screen without damaging it in any apparent fashion.
A documentary of director Peter Steín's theatrical work outside Germany shot during a performance of ORESTIE in Athens in 1986. As venue for the performance, a stone quarry was reconstructed and altered to seat 2000 people.
The revolutionary plays "1789" and "1793", the monumental film "Moliére", the dramatization of Klaus Mann's "Mephisto", the Shakespeare cycle - Ariane Mnouchkine's work always creates sensation, and the works
“Faithful to the Original - the Classics and the Directors” provides an overview of vital, living theatre in the form of extracts from classical pieces staged by well-known
Once again Botho Strauß rehearses a satyric drama in our society, governed as it is by the concept of the Last Judgement. He penetrates our technological present by using the myths of nature from the past.
The film portrays the problems of people around the age of 40, who have already lived the larger part of their life, but on the other hand aren't willing or able to go on like this.
American David Shiner studied drama for three years before he discovered his talent for mime. In Paris, the international mime metropole, he was able to acquire the basic techniques.
The hand holding the non-filter cigarette shakes, but the close-up of the television camera, examining every wrinkle and the stubble on his chin in an open search for the thief, the poet, the myth of Genet which verges on voyeurism, reveals eyes
A round-the clock-portrait of Berlin from an underground, freaked-out perspective. Documentary shots filmed as life races by, staged absurdities, sequences to catch the impetus of an extraordinary metropolis.
Summer 1984. An audience of 50.000 people gathers at the Reichstag, Berlin, to marvel at the vast firework show entitled "The World and Counter World, or Tumbling through Dreams", presented by André Heller, the "total artist" from Vienna.
The two noble families, Rossitz and Warwand, are related, and since the succession of both lines has been settled by a decree stating that if one family dies out the combined property shall go to the surviving family, they keep close, suspicious and
To impose total subjugation over the Teutonic lands Varus, the Roman general, secretly tries to play Marbot, leader of the Suevi, off against Hermann, Prince of the Cheruscans. Hermann sees through the Roman intrigue and pretends to fall for it.
The Schaubühne Theatre rehearsed for over a year before the 9-hour epic in three parts had its premier in October 1980. Several translations and versions of the text were used as a basis for the production, to ensure that the 2.
Daughter of an American dancer and French father, Leslie Caron was already a prima ballerina in Paris when recommended by Gene Kelly as his dancing partner in Vincente Minnelli's An American in Paris (1951).
Irmgard Keun, a writer from Cologne, left her Germany in 1936, disgusted by the sight of German fascism. In 1940, still hunted by the Nazis, she returned illegally.
This portrait shows Rainer Werner Fassbinder both as an actor - taking the leading role in the film KAMIKAZE 1989, also directed by Wolf Gremm, - and as a director working on QUERELEL, his adaption of the work by Jean Genet.
The story unfolds with the logic of a dream. The external course the plot takes is unreal. However, it reflects the hopes, fears and desires of the characters in very concrete terms.
“Where to? – No reply.” The pairing of a question screamed into an empty room and the depressed reply flung back at herself describes most clearly the condition of the central figure in this piece.
In spring 1978 the metal industry for the first time was confronted with skills problems. Together with his crew director Thomas Mitscherlich watched the industrial dispute in Reutlingen for six weeks.
The electronic versions of the old one-armed bandits are the MONARCH's aim in the appropriate bars, and his only source of income. With a trick only he knows he is able to “crack open” almost every machine in certain spotted out bars.
Anna and Edith are colleagues working for an insurance firm. Their boss is bragging with the achievements of the two women without giving them credit for their good work. Anna’s husband would prefer for Anna to stay home.