She: a 50something and very successful in her profession as a fashion designer in Berlin. He: in his early 30s, good-looking without an income of his own, financially and socially dependent on her. An odd combination.
Andrezej Wajda's dramatization of Fjodor M. Dostojewski's novel focuses on the three main characters: The student, Raskolnikov, has slain an old moneylender. His motive has less to do with greed than with his ambition to perpetuate a perfect crime.
The pupils of Grade 6b are upset. They have, all the while been intending to compose a pop song under the guidance of music teacher, Willi Bolbrinker, in the hope of a premiere in the coming class party.
When Milly's ‘friend’ suffers a sudden slipped disc and can't even get out of the bathtub, and her husband appears unexpectedly because the plane he was to pilot has been grounded by bad weather, the resulting situation absolutely bristles with
Lyle Taney, a Boston professor, is being blackmailed by an agent, demanding of her to spy on a free-lance scientist and his assistant. Without her knowledge the two inject her with a serum which almost kills her.
The revolutionary plays "1789" and "1793", the monumental film "Moliére", the dramatization of Klaus Mann's "Mephisto", the Shakespeare cycle - Ariane Mnouchkine's work always creates sensation, and the works
A documentary of director Peter Steín's theatrical work outside Germany shot during a performance of ORESTIE in Athens in 1986. As venue for the performance, a stone quarry was reconstructed and altered to seat 2000 people.
Summer, 1984. 50,000 people gather in front of the Reichstag in Berlin, to marvel at the vast firework show entitled "The World and the Counter-World or Tumbling through Dreams" presented by André Heller, the total-artist from Vienna.
Summer 1984. An audience of 50.000 people gathers at the Reichstag, Berlin, to marvel at the vast firework show entitled "The World and Counter World, or Tumbling through Dreams", presented by André Heller, the "total artist" from Vienna.
The hand holding the non-filter cigarette shakes, but the close-up of the television camera, examining every wrinkle and the stubble on his chin in an open search for the thief, the poet, the myth of Genet which verges on voyeurism, reveals eyes
A round-the clock-portrait of Berlin from an underground, freaked-out perspective. Documentary shots filmed as life races by, staged absurdities, sequences to catch the impetus of an extraordinary metropolis.
Once again Botho Strauß rehearses a satyric drama in our society, governed as it is by the concept of the Last Judgement. He penetrates our technological present by using the myths of nature from the past.
To impose total subjugation over the Teutonic lands Varus, the Roman general, secretly tries to play Marbot, leader of the Suevi, off against Hermann, Prince of the Cheruscans. Hermann sees through the Roman intrigue and pretends to fall for it.
The two noble families, Rossitz and Warwand, are related, and since the succession of both lines has been settled by a decree stating that if one family dies out the combined property shall go to the surviving family, they keep close, suspicious and
The Schaubühne Theatre rehearsed for over a year before the 9-hour epic in three parts had its premier in October 1980. Several translations and versions of the text were used as a basis for the production, to ensure that the 2.
Daughter of an American dancer and French father, Leslie Caron was already a prima ballerina in Paris when recommended by Gene Kelly as his dancing partner in Vincente Minnelli's An American in Paris (1951).
This portrait shows Rainer Werner Fassbinder both as an actor - taking the leading role in the film KAMIKAZE 1989, also directed by Wolf Gremm, - and as a director working on QUERELEL, his adaption of the work by Jean Genet.
The electronic versions of the old one-armed bandits are the MONARCH's aim in the appropriate bars, and his only source of income. With a trick only he knows he is able to “crack open” almost every machine in certain spotted out bars.
In spring 1978 the metal industry for the first time was confronted with skills problems. Together with his crew director Thomas Mitscherlich watched the industrial dispute in Reutlingen for six weeks.
Anna and Edith are colleagues working for an insurance firm. Their boss is bragging with the achievements of the two women without giving them credit for their good work. Anna’s husband would prefer for Anna to stay home.