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Cinema

Cast

Beth Riesgraf, Martin Henderson

Team

Director
Susan Streitfeld

Script
Susan Streitfeld

Director of Photography
Arturo Smith

Editor
Jane Pia Abramowitz

Sound
Dolby SR

Music
Donald Rubinstein

Production Designer
Stephan Olsen

Producer
Regina Ziegler

TV Editor
Karin Zahn, WDR

Info

Broadcaster
WDR

Genre
Short Feature

Format
35mm; colour; 1:1,85

The Summer Of My Deflowering

2000

Background
Does the female have a different feeling for the erotic than the male? Question the wise men on university faculties, and you’ll get a myriad of answers. But turn the query around and ask if women directors make more erotic films than their male counterparts, then the Erotic Tales are a sure measurement. Two films in the first dozen were made by women: Susan Seidelman’s The Dutch Master (USA) and Cinzia Th. Torrini’s Sweeties (Italy) - although the initial goal at Ziegler-Film was to look for parity. All the same, this duo fared well on the international circuit: The Dutch Master was invited to participate at Cannes and received an Academy Award Nomination, while Sweeties was honored with the Golden Rockies Award at the Banff TV festival. Look closely at those films - both focusing on the sexual needs of women - and arguments can be made for the aesthetics of feminist cinema.
Now comes Susan Streitfeld’s The Summer of My Deflowering in the second cycle of Erotic Tales. The director of Female Perversions (1996), one of the most controversial feminist films ever made, Streitfeld is familiar with all the issues at hand. “It was difficult to find an actress to play the lead role of the calculating- woman careerist,” she admits in an interview. “Until Tilda Swinton came along - and resolved the issue with a magnificent performance.”
In The Summer of My Deflowering the focus is on a young woman who believes that her video-diary, begun as a child, should close on note of absolute finality - the loss of her virginity. Once she has cruised the Internet for the likely beau, it’s off to the Garden of Eden motel in the Hollywood Hills to consummate the affair before a running camera …

Synopsis
Los Angeles, 2000. Megan David likes to keep track of her life with a camrecorder. It’s her video-diary, her art project for the Biennale. It depicts who she is, where she’s going, how she’s going “to pop her cherry“ – as she informs her girlfriend. And hip video artist that she is, Megan has even picked out the right partner through the Internet - a theology major named Luke - for the summer of her deflowering at the Garden of Eden. But when the love-birds arrive on the motel, the concierge hands them the key to their room on a condition - they are not to eat the apple ...
Susan Streitfeld - Director

Susan Streitfeld is a 1976 graduate of New York University Film School. She worked in various areas of film production during her two years in New York with Independent Films and in Washington D.C. with the Smithsonian In-House Film Unit.

She moved to Los Angeles in 1979 to join the faculty of the American Academy of Dramatic Arts/West as an acting teacher and director. She co-founded the theatre company HOTHOUSE, producing plays such as Megan Terry's HOTHOUSE and the world premiere of John Cassavetes' EAST/WEST GAME. Ms. Streitfeld received numerous awards for her productions, most recently the L.A. Weekly's Best Revival Production of 1991 for the twenty-fifth anniversary production of THE KILLING OF SISTER GEORGE.

Ms. Streitfeld became a theatrical agent in 1983 for Triad Artists. She championed independent and foreign films, packaging her clients Danny Glover in Charles Burnett's TO SLEP WITH ANGER , Ed Harris in Alex Cox's WALDER, Colin Norma Aleandro in GABY. She also represented Jennifer Jason-Leigh , John Hurt, Juliette Binoche, Linda Hunt, Amy Madigan, Joanne Whalley-Kilmer and Gregory Peck.

She left the agency in1990 to find and develop a film project to direct. In 1991 she optioned Louise J. Kaplan's FEMALE PERVERSIONS, a non-fiction theoretical examination of what women do to fit into the order of the world, unconsciously binding themselves to the cultural, familial and social stereotypes of "normal femininity." The book was nominated for the National book Award of the year.

The film FEMALE PERVERSIONS premiered at Sundance 1996 in the dramatic competition, opened in Europe and Australia in the fall of 1996, Asia in 1998 and America in April of 1997, distributed by October Films. FEMALE PERVERSIONS was invited to many film festivals and was awarded the audience award at Creteil, France, the largest women's film festival in the world. The film also received great critical acclaim including the prestigious Siskel an Ebert's "Two Thumbs Up".

Ms Streitfeld has recently written and directed THE SUMMER OF MY DEFLOWERING, a half hour commissioned by Regina Ziegler for her erotic tale series. She has written her next feature, GIRL HERO, which is currently in pre-production with a Fall 2000 start date.
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